The best Wunmi Mosaku’s movies

Fearing the actions of a god-like Super Hero left unchecked, Gotham City’s own formidable, forceful vigilante takes on Metropolis’s most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it’s ever known before.

In 1926, Newt Scamander arrives at the Magical Congress of the United States of America with a magically expanded briefcase, which houses a number of dangerous creatures and their habitats. When the creatures escape from the briefcase, it sends the American wizarding authorities after Newt, and threatens to strain even further the state of magical and non-magical relations.

A woman searches for her adult son, who was taken away from her decades ago when she was forced to live in a convent.

A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.

After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.

Citadel tells the story of widower and single father Tommy Cowley, a man inflicted with chronic agoraphobia since the day his wife was attacked. He was unable to protect her. He lives in Edenstown, the council estate from hell. Here he finds himself terrorized by a gang of syringe wielding feral children, who are intent on taking his baby daughter. With the help of a kind Nurse and a renegade Priest, Tommy learns the nightmarish truth surrounding these hooded children. He also learns that to be free of his fears, he must finally face the demons of his past and enter the one place he fears the most - The abandoned Tower block known as the Citadel

Explore the Disney+ series of the MCU—past, present and future.

The best women of British acting go to an audition for a dream role, primed to take on the role of a lifetime: that complex woman, the strong woman, a woman for today.

Orphaned in Africa as a child, Lilly escapes to England as a refugee, fleeing civil war in Ethiopia. Lost in this cold new world, Lilly embraces the immigrant community in London, attempting to reunite people with their scattered families. But as her friend Amina discovers, Lilly's mission isn't purely selfless: a passionate lost love affair is revealed.

Based on the real-life experiences of Mende Nazer, the story unfolds as twelve-year-old Malia, daughter of champion wrestler Bah, is abducted from her Sudanese village in the Nubar Mountains by pro-government Arab militia and sold into slavery to a woman in Khartoum, who beats her for touching her daughter. After six years she is sent to London, where her name is changed, but her miserable life of servitude continues. Her passport is taken and she is told that her father will die if she goes to the authorities. Fortunately she meets a sympathetic person who seems to offer her the hope of escape and reunion with Bah ,back in Sudan. For all the film's optimism an end title states that there are around 5,000 'slave' workers currently in Britain.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

Over the course of one night, a man struggles to find his wife in the wards of an inner-city hospital. Journeying through the corridors he meets a series of strange people.

Yearning to be married Fran Goldman is forced to reassess his strategy of love after being dumped by his fiancée four weeks before the wedding.

December is the busiest time of year for London’s hospitals. For one particular team it’s business as usual, even with the seasonal upsurge. Brian, the urology consultant, is audaciously trying to convince his superior, Mr Leffe, to swap irksome patients. Newcomer Emily has already discharged 5 people and it’s not even 10am. Her boyfriend James, a dishy doctor, is as usual engaged in charming his superiors – not to mention the eye-catching Rebecca. Feisty senior house officer Mark is wrestling with his bossy mentor Vashti to allow him to be more hands-on. And throughout it all, John, the cardiology registrar, simply can’t find a minute in the day to enjoy his roast turkey sandwich…