The best Norman Chui’s movies

The anti-Ching patriots, under the guidance of Ho Kuang-han, have secretly set up their base in Canton, disguised as school masters. During a brutal Manchu attack, Lui manages to escape, and devotes himself to learning the martial arts in order to seek revenge.

The illiterate General of Canton, General So, advocates a lazy, happy lifestyle of sex and money. His spoiled and also illiterate son, Chan (Stephen Chow), is his most faithful disciple. For the love of a woman, Chan attends the national exams for Martial Arts Scholar in Peking. Chan is victorious on the physical test, but before he is to be crowned, he is found to have cheated on the written exam. The Emperor sentences Chan to be a beggar. Initially Chan is unable cope with his new role, but with some mystic help, he takes on the position as King of the Beggars Association. Leading this motley crew into battle against an evil warlord in the Emperor's entourage, Chan rescues the Emperor, and gains respect for the beggars.

In the fifth century, constant civil war scars western China. To escape death, Ti, a young scout, jumps through a crevice in the Zu mountains where he gets entangled in a great battle against the Blood Demon, a supernatural entity seeking to wreak havoc upon the world.

Martial arts expert Wing Chun battles bandits in this magical film that provides as many laughs as it does wallops. Besides horse thieves, Wing Chun must deal with the men around her who simply can't handle a strong, independent woman. Ultimately, she must dish out "lessons" again and again and again until the respect for her remarkable skills is finally won.

Weary of the bloodshed and violence from the martial arts world, a powerful swordsman banishes himself to the humble life a vagrant, wandering the fringes of society. But his violent past refuses to let him go quietly. The master swordsman must regain the ability to wield his sword and fight those disrupting the peace he so desperately craves.

Word of a monster ape ten stories tall living in the Himalayas reaches fortune hunters in Hong Kong. They travel to India to capture it, but wild animals and quicksand dissuade all but Johnny, an adventurer with a broken heart. He finds the monster and discovers it's been raising a scantily-clad woman, Samantha, since she survived a plane crash years before that killed her parents. In the idyllic jungle, Johnny and Samantha fall in love. Then Johnny asks her to convince "Utam" to go to Hong Kong. Lu Tien, an unscrupulous promoter, takes over: Utam is in chains for freak show exhibitions. When Lu Tien assaults Samantha, Utam's protective instincts take over: havoc in Hong Kong.

A woman will go to whatever lengths necessary to obtain her dream home with a view of the sea. This includes driving down the property value and decreasing the occupancy rate by killing her potential neighbors ...

One of the last of the Old School Hong Kong martial arts flicks, this one deals with a legendary competition in swordplay and fighting that ends up being fought between two great warriors, a Chinese man and a Japanese man, who, over the course of the film, have become friends.

The sword saint requests a duel with god of sword at the apex of the forbidden city to determine the worlds best. As the date of the duel nears troubles befall the imperial town until everything is revealed at the climactic fight.

A magician makes money by charging people to cast love spells on the objects of their affection. Complications arise when he decides that he wants a customer's bride for himself.

Liu Chia-Liang returns to the success of his first directed film, "The Spiritual Boxer", which also stars the original film's bumbling ghost controller, Wang Yu. Hoping to make the lightning of success strike in the same place, Liu had his two brothers Lau Kar Wing and Gordon Liu not only act but also help with the fights. The end result is a martial arts film masterpiece filled with breathtaking action and set pieces.

Two blood brothers (Chow Yun Fat and Alan Tang), who have grown up on the streets of Macau, are bound together by a special code of honour. However, this bond ultimately leads them into brutal conflict when they struggle to leave the violent world they live in.

Based on the classic Chinese novel "Jin Ping Mei," written during the Ming Dynasty. The novel itself is the first full length Chinese fictional work to depict sexuality in explicit manner. The movie (as well as novel) takes place during 1111-1127 and centers around Ximen Quing, a corrupt social climber and lustful merchant who is wealthy enough to marry a consort of wives and concubines.

After the massacre of his village, Zhang Xiaofan is taken in by the Qing Yun Sect where he begins his journey of cultivation. When he finds out the truth behind the deaths of his parents, he succumbs to his rage and demonic tendencies and becomes the enemy of Qing Yun Sect.

Lucky Stars Go Places, also known as The Luckiest Stars, is a 1986 Hong Kong action comedy film directed by Eric Tsang. It is the fourth film in the Lucky Stars series. It was an attempt to combine the original Lucky Stars troupe with the similar action comedy ensemble from the Aces Go Places series.

It's back to the Shaolin Monastery for one of the most unusual action-paced tales to invade its hallowed halls. Lo Lieh is the ringleader of the Snake Sect, intent on reviving a deadly faction known as the "Five Poison Web." In order to do so, he has an affair with the sexy ringleader of the Scorpion Sect, Angela Yu Chien. However, there is also the Centipede Sect to contend with, as well as other assorted martial artists, among them played by Shaw Brothers talents Yueh Hua, Ching Li, and Lily Li.

A brother who loves books and a sister who loves swords must face a yellow-robed warrior, the Red Python, a sinuous snake-charmer, and a silk-masked beauty (who must kill or wed the first man to see her face) before they can bring peace to their battle-addled family.

Two cops--both partners and best friends--find their friendship and their lives at stake when they try to take down a ruthless drug dealer.

A real murder case which was complicated by the ménage à trois relationship the victim had with the main suspects. As different witnesses narrated their conflicting stories, the case seemed set to lead to nowhere; especially when the real identity of the dead person was finally discovered.