The best Laura Antonelli’s movies
Laura Antonelli (28 November 1941 – 22 June 2015) was an Italian film actress, who appeared in 45 films between 1964 and 1991, and she is best known for the movie Malizia.
Antonelli was born Laura Antonaz in Pola, Kingdom of Italy (in Croatian, Pula), former capital of Istria. After the war, her parents fled what was then Yugoslavia, lived in Italian refugee camps and eventually settled in Naples, where her father found work as a hospital administrator. Antonelli had a childhood interest in mathematics, but as a teenager, she became proficient at gymnastics. In an interview for The New York Times, she recalled, "My parents had made me take hours of gym classes during my teens ... They felt I was ugly, clumsy, insignificant and they hoped I would at least develop some grace. I became very good, especially in rhythmical gym, which is a kind of dance."
Setting aside ambitions to make a career in mathematics, she graduated as a gymnastics instructor. She moved to Rome, where she became a secondary-school gym teacher and was able to meet people in the entertainment industry, who helped her find modelling jobs.
Antonelli's earliest engagements included Italian advertisements for Coca-Cola. In 1965, she made her first feature-film appearance in Le sedicenni, although her performance went uncredited. Her American debut came in 1966 in Dr. Goldfoot and the Girl Bombs. Other roles followed; her breakthrough came in 1973's Malizia. She appeared in a number of sex farces such as Till Marriage Do Us Part/Mio Dio come sono caduta in basso!.
She worked in more serious films, as well, including Luchino Visconti's last film, The Innocent (1976). In Wifemistress, a romance film of 1977, she played a repressed wife experiencing a sexual awakening. Later, she appeared in Passione d'Amore (1981). Antonelli's most recent role was in the sequel Malizia 2000 (1991). She won the Italian National Syndicate of Film Journalists Award, Nastro d'Argento, in 1974 for Malizia.
Antonelli was married to publisher Enrico Piacentini but they divorced. From 1972 to 1980, she was the companion of actor Jean-Paul Belmondo.
On 27 April 1991, cocaine was found during a police raid on Antonelli's home. She was subsequently convicted of possession and dealing and sentenced to house arrest. She spent ten years appealing the conviction, which was eventually overturned. In 2006, the Italian court of appeals ruled in favor of Antonelli and ordered the Ministry of Justice to pay the actress 108,000 euros.
Antonelli died on 22 June 2015, aged 73, from a heart attack.
Source: Article "Laura Antonelli" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Malicious
6.3/10
A widower and two of his sons become infatuated by their beautiful housekeeper, and all three set out to seduce her using their own unique methods.
Lovers and Other Relatives
5.5/10
Sandro dreams about a woman older than himself. He works as a lifeguard at the beach and at the same time he's caring for a large number of sexually unsatisfied women who are coming for the weekend without their husbands.
Rimini Rimini
4.8/10
Funny, entertaining comedy with a few storylines. All of them have one thing in common - a resort town of Rimini in Italy.
The Innocent
7.4/10
Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.
Scoundrel in White
5.8/10
Jean-Paul Belmondo plays Paul, a former womanizer who marries the head of the medical department's "unattractive" daughter Christine because he thinks attractive women can't be trusted and make poor wives. A car accident leaves him bedridden and he begins to miss his playboy days, when Christine's bombshell sister Martine arrives and Paul decides he must have her. He begins drugging Christine at night so he can sneak out to kill of Martine's many suitors one by one.
Malizia 2000
5.1/10
The teenage son of an architect falls for an older woman, an attractive housewife of his father's client.
The Divine Nymph
5.8/10
In the decadent Roaring Twenties, a beautiful woman engages in affairs with two men, playing them against each other.
The Magnificent Cuckold
6.8/10
The Magnificent Cuckold is about a hat tycoon who is ecstatically, if not hungrily, in love with his youthful wife. It is all blissful, that is, until our man, middle-aged and somewhat of a square among his blasé, upper-class friends to whom cuckoldry is a common practice, is seduced by one of them. At this point doubts and suspicions, like conscience, begin to plague him. If he could succumb to extramarital confections, why not his gorgeous mate? Quickly his love for his spouse degenerates beyond obsessive, into the realm of maniacal. He becomes madly concerned that his wife is cheating on him --even though she is not being unfaithful. When he looks at her it becomes obvious to him that she is a very attractive woman. And, all the men around her must be dying to be with her. Gnawed by jealously, he will imagine variations on nabbing her and her lover in flagrante delicto.
Tigers in Lipstick
4.6/10
8 comic sketches set in Italy, with 4 of the most famous European sex symbols of the 70's playing 2 roles each.
The Venetian Woman
4.9/10
Venice, sixteenth century. Giulio, a foreign gentleman spends a memorable night in the city where he meets and beds two beautiful women. They are Angela, a widowed lady, and Valeria, whose husband has left for Florence.
Stuff for the Rich
5/10
3 episodes set in Monte Carlo. In the first one a priest is compelled to become the lover of a princess. In the second, a con woman tries to cheat an insurance man. In the third, a man has to deal with his wife's suicidal attempts.
Department Store
5.6/10
A series of skits involving customers and store personnel from several departments of the big department store.
Black Journal
6.3/10
Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the "Soap-Maker of Correggio".
Wifemistress
6.8/10
Since her husband pronounced her frigid on her wedding night, Antonia DeAngelis has been an invalid. When he disappears, she believes him dead: she leaves her bed and takes over his business, traveling to see clients. She discovers her husband's passions, his political writing, mistresses, and his indifference to the peasants on her family's land. She improves their lot, begins an affair with a young foreign doctor, and publishes her husband's writings. All this time, he's hiding from a murder charge in a house across the square. Amazed, he watches her become his sexual and social equal. After the police drop the murder charge, will he disappear, end his life, or rejoin her on new terms?
Detective Belli
6/10
A crooked detective begins investigating a situation on behalf of a friend and gets involved in murder, deception and double-cross.
The Trap
4.9/10
A woman becomes obsessed with a man she can't have, and carries the torch for more than 15 years.
Till Marriage Do Us Part
6.7/10
The Marquise Eugenia di Maqueda, an orphan raised by the nuns, marries Raimondo Corrao, but on their wedding night she finds out that he is her brother. The piece of news is in a letter written from Paris by their father, a womaniser who lives and hides from them in the French headtown. The pair decide, to avoid the scandal, to live as brother and sister. He will later leave for the war in Lybia, she will find solace and sexual satisfaction in the arms of the family chauffeur.
Porca vacca
5.8/10
When a stage artist is send to fight he met a lovely girl.
The Married Couple of the Year Two
6.5/10
Nicolas Philibert goes to America after killing a French aristocrat. On his return he tries to divorce his wife, Charlotte, but when he sees others trying to woo her his own interest is rekindled.
Viuuulentemente mia
5.7/10
Clumsy public security officer helps an adventurer (Laura Antonelli) to escape from Italy. In order not to undergo a punitive transfer to Barbagia, he goes back on the woman's trail to take her to prison.
