The best John Taylor’s movies

A look at the lives of several struggling L.A. musicians. Gwen, a singer-songwriter, is on a quest for the big-time. Working as an assistant to a film production designer, Gwen tries to steal her boss' boyfriend, a veteran rock producer. The producer, meanwhile, is trying to orchestrate a comeback for an '80s band.

A Rock 'n Roll version of the Twilight Zone, with four segments: "Disco Inferno," where metalheads find themselves in hell; "My Generation," where hitchhikers help you die before you get old; "Room Service," rock star room-trasher vs. the hotel maid; "More Than a Feeling," an A&R man feels talent in his gut but can't hold on to the artists he finds.

ON July 1st 2007 a concert is being held at Wembley Stadium in London and broadcast live to over 140 countries to commemerate the life of Princess Diana on what would have been her 46th birthday 10 years after her untimely death...

With the help of their mentor Felix, a group of the best friends and first-time thieves steal a valuable statuette for a ruthless black market art dealer. After the amateurs botch the delivery of the objet d'art, the dealer kills Felix and forces the remaining four to "find" $1 million within a week's time or face certain death.

A remake of the Dickens classic "A Christmas Carol" featuring a very nasty pop singer who gets a reality check by three Christmas spirits.

How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.

King of disco in the 70s with the band Chic, producer of Bowie, Mick Jagger, Madonna, Daft Punk, Pharrell Williams and many others... Nile Rodgers is today pursuing his fascinating career. We take a behind-the-scenes look at the genesis of some of the greatest hits, and at the complex alchemy between Nile Rodgers and the biggest stars of the last 35 years: Madonna, David Bowie, Diana Ross, Duran Duran, Bryan Ferry, Grace Jones, Michael Jackson, INXS, Mick Jagger, Rod Stewart and David Guetta. What are the secrets of this genius of the music world, who has succeeded in transcending successive eras, reinventing himself every time?

A collection of Duran Durans' greatest hits.

A taxi driver (Naveen Andrews) picks up a fare (Barbara Hershey) in Manhattan. She offers the driver a large sum to drive her to the desert. While the pair drive across the country, the woman tries various strategies to lure the driver into conversation. Despite his reticence, the pair begins a tumultuous and steamy relationship.

Seven and the Ragged Tiger is the third studio album by English pop rock band Duran Duran, released globally in November 1983. It would prove to be the last studio album for the band's original lineup until 2004's Astronaut.